Talent Is the Most Valuable Resource

People are important. To a business, their skills are important. Skills + People = Talent. Talent should not be undervalued or underappreciated.

I understand that most businesses and projects must start small to afford necessary tools and have room to grow. Money runs out, and you need to work within your budget to avoid the crash and burn.

If you ask for a favor, make sure to repay the favor with a service or a raise. Raises demonstrate that the sacrifices made are appreciated. Appreciation is key. If you do not demonstrate appreciation in some way, your talent will burn out or resent you. Your “savings” from not paying them more will end up costing you more long term. You will run out of favors eventually and you will fail.

If you cannot handle giving people money, do not be an employer for a living.

Mondays Should Die

You had an amazing weekend with family and friends. Parties. Activities. Errands. Rock and roll. Guess what? Back to work! It’s Monday time!

I hate Mondays. I am willing to bet you do not like them either. A great taste in your mouth soured by the burdens of a professional life. Most people have really rough starts on Mondays. Few deals get closed. Very little work gets done. Most people spend the better part of their day trying to switch into productive mode. After a short burst of personal time over the weekend, Monday rear-ends and whiplashes the hell out of you.

I say we kill Mondays. That’s right. Kill Monday. Embrace the three-day weekend. A day to be social, a day to do personal work, and a day to rest. Start the week on Tuesday and only work four days. Think you won’t get the same amount of work done? Just try it. I guarantee that you will fill the time with the same amount of work.

Worried you’ll miss customers or clients on Monday? Most people are preoccupied with their own hellish Mondays to care about your business, so no worries. And besides, if you set the expectations of outsiders by informing them that you do not operate on Mondays, they will catch on, deal with it, and not resent you. You do not want the complaining customers anyway.

But every week needs to start, right? So won’t starting the week one day later just shift the burden of hate to Tuesday? Perhaps. But have you ever heard of the work-life balance? Splitting the week nearly in half with weekend and work week will help balance the amount of time you invest in yourself and invest in your work. By the end of the long weekend, you will feel more inclined to pick up the pen again. After you are rested, caught up, and partied out, you will feel the need to get back to work. In fact, you may even WANT to go back to work.

And why not take Friday off instead? Since most employees are procrastinators by nature, Friday is valuable real estate for last minute productivity. And since other companies you do business with are probably procrastinating as well, there will be less friction if you continue to operate on Friday. While everyone else is working on Monday, you can take the time for yourself to recover from your weekend and rest up before a new week. A healthier team and a healthier life. 

Sound utopian? Maybe. But worth the experiment. When I run a business, I plan to give it a shot.

New Media: Revenue and Profitability? [Film Friday]

This is the third post in my series, “Understanding New Media.”

So far, it’s safe to define “New Media” as “content financed, produced for, and released exclusively on the web that serves itself and no other.” Last week’s post tried to rule out marketing materials and spinoffs (content promoting other content or products). But I asked a key question: what happens when one of these videos generates its own revenue online? Since “New Media” is a tech and entertainment industry term, it is relevant to discuss the format in the context of commerce.

If a company authors products that collect money from the hands or by the influence of consumers, then it deserves to be called a “business.” If the company’s products drive profits, then it deserves to be called a “good business.”

In web land, advertising, subscription, download, and rental revenue are mere pennies and cents compared to the millions generated by the multiplex or family room tube. Web video is still young, and very few Internet networks have been able to grow through these sources of income. Most content is financed by upfront sponsorship and rarely sees extra money after launch. For example, our company depends on sponsorships from large brands to kick-start our projects in exchange for guaranteed impressions. But in several cases online, the cost of video production was so low and viewership so high that notable returns have been made. It is not uncommon these days to find content producers on YouTube bringing in generous annual salaries through the site’s Partnership Program. They might be small businesses, but these producers definitely deserve to be called “businesses” on their own. And in a select few cases, some large budget web series have garnered such a following that they have paid their bills in full and earned a DVD release. My favorite is The Hire, starring Clive Owen.

Some spinoff series online, as well as commercials and promotional skits, have attracted huge audiences and generated revenue beyond the marketing spend. The Old Spice commercials are famous for this. While these pieces definitely serve a greater purpose, audiences have awarded them the respect and merit of being autonomous content online. When this phenomenon happens and commercials become Internet memes, it is hard for me still to call this material “marketing.” Likewise, when spinoff series build so much traction that they turn direct profits for the label, I owe them respect as autonomous entertainment product.

When first approaching the subject, I assumed all web endeavors were only ever marketing extensions that inspire viewers to spend money in a way that indirectly supports the content producer. For example, a sponsored video promotes a product that, if purchased by consumers, can afford new content produced in the future. If a series makes money on a DVD release and not by itself online, the web release is really just promoting home video sales. In this case, the web endeavor is still a marketing extension – even if it is promoting sales of the exact same material. Therefore, it is important to distinguish between content that makes money through viewership on the Internet and content that makes money elsewhere.

Long story short, I think it’s fair to say that any content that makes money online deserves the “New Media” industry label. So, for the sake of iteration, let us expand our definition to include “content financed, produced for, and released exclusively on the web that autonomously drives traffic or revenue online.”

All of that is well and good, but I am still stuck on the evolution of the Internet. In five years, there will be little-to-no difference between the way television and web video are distributed. The pipes will be the same and the viewing devices will be the same. So what then is the difference between “New Media” and other forms of content? While television and web may converge, audiences interface with these platforms very differently.

Next week, we will address the penultimate quality of “New Media” entertainment: active viewership.

The Difference Between Evolutionary and Revolutionary

There is a general cynicism lately about human progress in the cultural, commercial, physical, and spiritual realm. This week’s South Park had a brilliant (albeit gruesome and disgusting) commentary on contracting the disease, “cynicism,” where everything starts looking and sounding like “shit.” Many individuals (not just me) watch in angst as large companies roll out recycled shlock and menial improvements. A lot of the criticism directed at all companies showcasing video games at the E3 gaming conference this week sang to the beat of “It seemed more like a catch-up game than something completely different.” Nintendo and Playstation announced entirely new gaming consoles, and yet they came off as incremental and uninspired updates in struggle to catch up to the aggressively expanding mobile games market. Only sequels gained traction at the conference, no original game-changing titles. I hold the same criticism of Apple’s latest products: iPad 2, iCloud, OS X Lion, and iOS 5 boast only minor improvements to the user experience that update on and catch up to some superior features of competitors in the computing space. We live in a world farming updates, too distracted by the noise around us to make meaningful, poignant change.

Our world is evolving quickly, but do not mistake evolution for revolution. Evolution is a slow, gradual, step-by-step process that takes time and energy. Revolution is a leap, a blindside, a change that catches us all by surprise. Evolution is differentiation. Revolution is different. Evolution is a hybrid transition between new and old. Revolution does not look back. Evolution is missing the letter ‘R’ at the front, and that letter ‘R’ means business. I have not seen a revolution in the cultural, commercial, physical, and spiritual realm for some time.

Revolution is a modern virtue. How can you build something revolutionary? Use the Reference Test: can you or anyone else compare your creation directly to another creation already existing?

Hollywood pitch culture is a perfect example. Somewhere in the early nineties, producers made the habit of pitching movies as “this” meets “that.” “Terminator” meets “Home Alone.” “Cool Runnings” meets “Blade Runner.” “Veggie Tales” meets “Godzilla.” The problem? Mixing old shit together does not make it new. It simply makes it old shit mixed together. Can anyone compare your movie idea directly to other films already in existence?

If your work comes off as a hybrid between this and that, or an update to something already in existence, then you have not pushed the button hard enough. Push harder. Twist your perspective. See the light. Open your mind. Forget the world around you. Look deep inside. Be true to yourself. Be human. Be real. You are capable of inventing something the world has never seen.

Stop at nothing to change the world. Start a revolution.

Do Not Bring Your Work Home

Hollywood is notorious for failed marriages. Why? To succeed in this town, you need to give it your all. Eat, sleep, breathe entertainment. Might sound fun on the outside, but it’s hell on the inside. In one year alone, I’ve seen families shattered, relationships severed, possessions seized, and health jeopardized. It’s the name of the game out here. When you’re working 14 hour days and competing with hundreds of extremely talented people and projects, how the hell can you do anything else with your life?

Outside the movie business, lifestyles are not nearly this extreme. Still, I hear horror stories of workaholics compromising their personal lives to submit to their jobs. Whether you are working 16 or 60 hours per week, it is important to separate your job from the rest of your life. If you do not, work can consume you. Depending on how you handle pressure, it may even destroy you.

When you come home at night, forget it. Stop thinking about your day. Leave it all behind. Worried you’ll forget where to pick up in the morning? That’s what to-do lists are for. Have a job where you are responsible for grading or reading or reports that need to be done outside of the workplace? Find another place to do them. Just do not bring them home. Do not bring your work home.

The level of stress work carries can hurt you, hurt your families, and hurt your friends. No one likes spending time with a wreck. And most people get bored with a wreck that drones on about his or her job. There’s more to life and the world than your job. You become really one-dimensional when that’s all you care about.

Regressive Culture and the Decimal Improvement

Most businesses operate and finance on a perpetual study of what has been profitable before. Makes sense, doesn’t it? “This product worked well for us, so let’s keep producing it and continue to make money from it.” Risks, if ever taken, are informed by thorough analysis of previous ventures. The result? Only marginal improvements to products and a gruelingly slow roll-out of human progress. Version 1.1 instead of version 2.0, because any business person knows that they can milk extra money out of every marginal improvement between 1.0 and 2.0.

Sure, this practice is brilliant for driving revenue and safely building businesses. But it’s regressive for human progress. It involves a constant study and reincorporation of what has already been done rather than what has never been done before. It promotes recycling culture, recycling ideas, and holding human potential back. Hollywood has become notorious for this.

We’re stuck on old models, old cash cows, and the golden hens of yore. Our world could “go green” if gas and vehicle companies stop preventing that progress in an effort to perpetuate profits. Our world could connect with other worlds if financiers see space exploration as more than an “investment.” Our world could cure disease indefinitely if pharmaceutical companies surrender their lust for the daily medication business. Our world could do so much more if money wasn’t tugging at our reins. We could do so much more together.

The few making blind leaps of faith are independent entrepreneurs and inventors, working out of their garage after hours to compete for the next big thing. These heroes of our future are pushing buttons few large players dare push. Inventors have played an instrumental role in American history and will continue to define our future. Strapped for cash and time, these men and women really need support to push their visions forward. Unfortunately, they often look to the worst place possible for help: big companies. Why the worst place? The big boys swoop in to buy and ingest the little guys, taking control of the invention and platforming incremental versions to maximize market potential. We fall back where we started.

The entrepreneurs of today are trained (mostly by business leaders, mind you) to have an “exit strategy” – sell your company, publicly or to a larger company. We have been trained to give up our ideas and business in exchange for cash. We have been taught to sell away the future we are building for mankind. Many companies today have become dependent on acquiring small players and have completely disbanded their research & development departments altogether. These companies don’t even bother developing incremental improvements while they wait for the next great purchase. In the good old days, big companies had all the resources AND the best talent to produce great product. Now, the best talent invents on the outside and struggles for capital while companies stockpile all of the resources necessary to produce meaningful change. Herein lies a tragic disconnect that also stunts our progress forward.

Thankfully, the world of financial support is changing. Initiatives like Kickstarter connect projects with needed capital. True change can happen if we stand together and support each other. Vote with your purchases, donations, and investments. Set profit and politics aside. Build a better world. Our children depend on it.

Where Did Apprenticeships Go?

Apprentice. Man and boy making shoes.

In the Middle Ages, master and apprentice relationships were integral to business. Aspiring youngsters would offer continuing labour and business support to veteran craftsman in exchange for lodging, food, and formal training. Before universities popularized, trade education stemmed directly from experience in the trade itself. As classroom education expanded, apprenticeships fell to the wayside. Can someone please tell me why? The mentor and apprentice relationship is no less integral to business than it was a thousand years ago. In fact, I think the relationship may be more important today – for both sides of the table.

The mutual benefits are endless, but here are four key points to whet your whistle (Note: I find “Mentor” more palatable than “Master,” but the same theory applies):

Mentors offer seasoned experience. Apprentices offer fresh perspective.

With years of service in the workplace, the mentor has war stories and lessons that can better-frame an apprentice’s education. More importantly, these stories are experienced firsthand. On-the-job training is far more vivid and dynamic than book studies because the stakes are higher. Apprentices get their hands dirty and glean a far more richer understanding of their craft in the process. Moreover, the education is reciprocal. Apprentices bring to the table a whole new way of thinking: contemporary models, innovative market approach tactics, modern brand image insights, and more. The apprentice speaks a fresh language mentors need to be versed in today to connect with the consumers of tomorrow.

Mentors offer inexpensive education. Apprentices offer inexpensive labour.

As a mutual service favor, very little money trades hands. A mentor can staff his or her growing business with a zealous and thirsty student without the burden of salary; an apprentice can get invaluable hands-on experience without the burden of tuition. More often than not, the education from a mentor is far more in-depth, targeted and pertinent than from a classroom teacher. You get more value for less spend.

Mentors offer relevant trade skills. Apprentices offer relevant modern skills.

Unlike the intimate hands-on apprenticeships of old, modern internships are often more clerical with little exposure to the higher workings of a company or trade. A true apprenticeship can bring students closer to the skills they need to grasp and aim to learn. In exchange, apprentices can introduce mentors to new methods for leveraging technology, connecting with people, and creating product. The opportunities are boundless with both new and old at the helm.

Mentors offer a name brand. Apprentices offer brand vitality.

Through years of service and loyalty, the apprentice will embrace the mentor’s brand. With that brand comes the mentor’s network and resource pool, saving the apprentice a lot of time and money developing his or her own from scratch. Brands are noteworthy bullets on resumes and form the connective tissue of the business world. In return for the mentor’s gracious stamp of approval, the apprentice will forever carry all the philosophies adopted and lessons learned from the mentor. The mentor’s reputation will live on through the apprentice.

The only potential risks I foresee in apprenticeships are compatibility and working pace. Some people cannot see eye to eye and lack patience for one another. Compatibility can be offset by both formal and casual interviews, along with recommendations and referrals. And unlike the Middle Ages, I do not think it wise to start apprenticeships too early in career development; an apprentice needs strong theoretical introduction to a trade first before asking a mentor for valuable time.

If you are a seasoned professional, I highly encourage you to take on an apprentice. If you are a student, develop relationships with professionals in your field of interest and ask permission to shadow them. Listen well to each other. After a while, you will both learn a lot. I guarantee it.

5 Reasons to Leave Your Industry Hub and Move Elsewhere

Westward Expansion

Every industry has a central hub. New York for finance and marketing, Silicon Valley for tech, Hollywood for entertainment, etc. These “capitals” boast concentrated resources invaluable to companies on every level. While centralized talent and cash may be great for growing companies, it is not always beneficial for employees or startups. Competition can be fierce, even deadly. And you may be compromising your ideal quality of life by living there.

Friends know I am not a big proponent of the Hollywood community or life in Los Angeles. In fact, I would be happy to see Los Angeles crash and burn (but that’s a post for another day). Nevertheless, I appreciate the things I’ve learned, connections I’ve made and resources I have access to here. But while I support studying in the belly of the beast (I did so through USC Film School and continued employment in Hollywood), I think it may be to your advantage to take that knowledge elsewhere.

Below are five reasons why you should consider moving away and doing your own thing in another city:

  1. Less Competition. Fewer companies competing for business. Fewer qualifiers poaching jobs. Depending on the scope of your business or skill set, it will be far less difficult and expensive to stake a claim with your great idea or robust resume. There may be a smaller talent pool to recruit from and fewer jobs to step into, but you have a greater chance of standing out.
  1. Easier Press Attention. In fresh locales with less competition, you are the cool kid on the block. Almost everything you do can be newsworthy. It is exponentially easier to promote yourself and rise above the noise outside your industry hub. Do you think the Los Angeles Times gives a damn about film shoots anymore?
  1. Quality of Living. If you are liberated to live anywhere, live where you want to. The cost of living could be cheaper, the pursuit of recreation easier, the commute shorter, the schools better, the communities safer and the environment cleaner. Way waste your life accepting surroundings or a lifestyle that fails to enrich your soul?
  1. The Local Hook. You can sell your support for the community as well or better than you can sell your products or skills themselves. Every city is packed with patriots who will gladly help you out if you promote the local angle of your ambition. You may even be able to secure local investment from financiers who simply adore their home town, even if you are situated in a sector outside their expertise. And to differentiate yourself in the national and international market, you can embrace local themes and regional advantages through your marketing, sales and products (Denver is healthy, Detroit is rebooting, Hawaii is beautiful, etc.).
  1. Room for Growth. Industry hubs are wrought with history, tradition, bureaucracy and rules. Moving elsewhere makes it possible to start anew, break rules and bend the future as you see fit. Becoming a local industry expert or thought leader is much easier with less competition and accessible press. By earning that respect, you are better situated to shape the direction of the community at large and make a name for yourself. There is less ladder climbing and more real work being done.

Mark Suster wrote an insightful post this week about building tech communities outside Silicon Valley. For anyone interested in skipping town, I encourage you to read it (even if you are not in the tech industry).

The Difference Between Apps and Applications

The market is completely saturated with programs. Competition is thick, discoverability low, and redundancy rampant. Every fool and his grandmother are “building an app.” Companies scribble code together just to say they have one, too. I mean, seriously, why the flying hell would I need a Quiznos app?

The joke? “There is an app for that.” Not funny anymore. Why? Because apps like Virtual Lighter cramp valuable shelf space and bury applications that could otherwise have a profound impact on our culture and way of life. As a user and developer, I want to differentiate between “apps” and “applications” in hopes of quelling the former and promoting the latter:
 

  • Apps have narrow vision. Applications have boundless vision.
  • Apps tackle singular functions. Applications tackle multiple related functions.
  • Apps debug. Applications scale.
  • Apps live on devices. Applications live beyond devices.
  • Apps breathe task-based missions. Applications breathe mission-based tasks.
  • Apps are features in disguise. Applications are platforms for numerous integrated features.
  • App has three letters. Application has eleven.
  • Apps code quickly and can be completed. Applications continue to adapt and evolve.
  • Apps are popularized by mass use. Applications are commoditized by mass use.
  • Apps eat free time for breakfast. Applications eat apps for breakfast.
  • Apps are useful in defined use cases. Applications are useful in undefined use cases.
  • Apps are built by programmers and designers. Applications are built by communities.


Please contribute to the list and share it with your app junkie neighbor. Support the development of rich and meaningful applications.

Big Idea, Huh?

We all have great ideas. Wonderful. Can you communicate them? Albert Einstein once said, “If you can’t explain it simply, you don’t understand it well enough.” Steven Spielberg tapped into this notion when he encouraged movie pitches to be 25 words or less. While Spielberg’s suggestion had a lot to do with the marketability of a film, the 25-word exercise forces you to boil your idea down to its core and communicate it. The exercise forces you to understand your idea more clearly.

Ideas do not need to be simple. In fact, they shouldn’t be. But they will get nowhere if they cannot be communicated simply enough to share with others.